梅本佑利

今井慎太郎 IMAI Shintaro 准教授

研究課題

邦楽器とエレクトロニクスのためのレパートリー拡充とアーカイブの構築

趣旨・目的

本研究の目的は、邦楽器とエレクトロニクスのためのレパートリーを拡充し、 かつ広くアクセシブルなアーカイブを構築することである。年度ごとに異なる 楽器が題材の継続的プロジェクトを想定しており、今回は二十五絃箏とする。 自作品のほか、若手作曲家に新作を委嘱することで、レパートリーに多様性を与える。また、特定のテクノロジーに依存しないエレクトロニクスパートを前提とすることで、作品の「持続可能性」を担保する。

公表方法

インターネットによる公表

備考

disclaimer

On all my social media accounts and websites, I only post what I currently recognize as valuable. The same applies to the works or lists of works currently uploaded to my accounts. My thoughts change from day to day, but I have no intention of concealing or erasing history. In the databases of copyright management organizations, records exist for almost all of my works. Regardless of whether they were uploaded legally or illegally, information will exist on someone’s account somewhere. I respect these records as historical facts (though I do not condone copyright infringement). The same applies to records of artists I have collaborated with.

There are a few people who, after I became involved with them, committed moral transgressions—for example, those who became sex offenders, those who dishonestly took advantage of me when I was a minor, or those who lied to me or betrayed my trust. That is their responsibility alone, and I am no longer involved with them, nor will I write their names here.

I also have many memories with people who are at no fault whatsoever. However, due to changes in my identity and values, I may, according to my own judgment, make those memories private. I will no longer promote their names or include them in my profile, but this too is part of my historical record. I have no intention of erasing or concealing it. As of now, I may look back on those memories as something beautiful, or I may see them as something cringe-worthy, but I will not go into further detail here and now.

https://www.youtube.com/watch?v=DwcX-v7JIKQ

この作品は著作権を回避するために、例えば音程の情報を潰して単音に圧縮しているわけであるが