MOCO
MOCO is the International Conference on Movement and Computing.
https://dblp.org/search?q=venue%3AMOCO%3A
2018
Rafael Kuffner dos Anjos, Claudia Ribeiro, Carla Fernandes:
Three-Dimensional Visualization of Movement Qualities in Contemporary Dance. MOCO 2018: 10:1-10:7
Ewelina Bakala, Yaying Zhang, Philippe Pasquier:
MAVi: A Movement Aesthetic Visualization Tool for dance video making and prototyping. MOCO 2018: 11:1-11:5
Sofia Dahl, George Sioros:
Rhythmic recurrency in dance to music with ambiguous meter. MOCO 2018: 38:1-38:6
Michaela Honauer:
Designing a Remote-Controlled Interactive Dance Costume. MOCO 2018: 40:1-40:6
Jeehyun Joung, Jeounghoon Kim:
Interactive Effect of Tempo and Rhythm on the Emotional Perception of Dance Movements. MOCO 2018: 7:1-7:4
Katerina El Raheb, Aristotelis Kasomoulis, Akrivi Katifori, Marianna Rezkalla, Yannis E. Ioannidis:
A Web-based system for annotation of dance multimodal recordings by dance practitioners and experts. MOCO 2018: 8:1-8:8
Katerina El Raheb, Sarah Whatley, Antonio Camurri:
A Conceptual Framework for Creating and Analyzing Dance Learning Digital Content. MOCO 2018: 2:1-2:8
Jean-Philippe Rivière, Sarah Fdili Alaoui, Baptiste Caramiaux, Wendy E. Mackay:
How Do Dancers Learn To Dance?: A first-person perspective of dance acquisition by expert contemporary dancers. MOCO 2018: 6:1-6:7
Thembi Rosa, Carlos Falci:
Registers as inventions: body, dance, memory and digital medias. MOCO 2018: 36:1-36:3
Augusto Dias Pereira dos Santos, Lie Ming Tang, Lian Loke, Roberto Martínez Maldonado:
You Are Off The Beat!: Is Accelerometer Data Enough for Measuring Dance Rhythm? MOCO 2018: 12:1-12:8
2017
Luis Molina-Tanco, Carmen García-Berdonés, Arcadio Reyes-Lecuona:
The Delay Mirror: a Technological Innovation Specific to the Dance Studio. MOCO 2017: 9:1-9:6
Pablo Palacio, Daniel Bisig:
Piano&Dancer: Interaction Between a Dancer and an Acoustic Instrument. MOCO 2017: 6:1-6:8
Claudia Ribeiro, Rafael Kuffner dos Anjos, Carla Fernandes:
Capturing and Documenting Creative Processes in Contemporary Dance. MOCO 2017: 7:1-7:7
Caroline P. Whyatt, Elizabeth B. Torres:
The social-dance: decomposing naturalistic dyadic interaction dynamics to the 'micro-level'. MOCO 2017: 24:1-24:8
2016
Daniel Bisig, Pablo Palacio:
Neural Narratives: Dance with Virtual Body Extensions. MOCO 2016: 4:1-4:8
Antonio Camurri, Katerina El Raheb, Oshri Even-Zohar, Yannis E. Ioannidis, Amalia Markatzi, Jean-Marc Matos, Edwin Morley-Fletcher, Pablo Palacio, Muriel Romero, Augusto Sarti, Stefano Di Pietro, Vladimir Viro, Sarah Whatley:
WhoLoDancE: Towards a methodology for selecting Motion Capture Data across different Dance Learning Practice. MOCO 2016: 43:1-43:2
Antonio Camurri, Gualtiero Volpe, Stefano Piana, Maurizio Mancini, Radoslaw Niewiadomski, Nicola Ferrari, Corrado Canepa:
The Dancer in the Eye: Towards a Multi-Layered Computational Framework of Qualities in Movement. MOCO 2016: 6:1-6:7
Marianela Ciolfi Felice, Sarah Fdili Alaoui, Wendy E. Mackay:
How Do Choreographers Craft Dance?: Designing for a Choreographer-Technology Partnership. MOCO 2016: 20:1-20:8
Simon Katan:
Using Interactive Machine Learning to Sonify Visually Impaired Dancers' Movement. MOCO 2016: 40:1-40:4
Foteini Papadopoulou, Martin Schulte:
Movement Notation and Digital Media Art in the Contemporary Dance Practice: Aspects of the Making of a Multimedia Dance Performance. MOCO 2016: 8:1-8:7
Stefano Piana, Paolo Coletta, Simone Ghisio, Radoslaw Niewiadomski, Maurizio Mancini, Roberto Sagoleo, Gualtiero Volpe, Antonio Camurri:
Towards a Multimodal Repository of Expressive Movement Qualities in Dance. MOCO 2016: 10:1-10:8
Claudia Ribeiro, Rafael Kuffner dos Anjos, Carla Fernandes, João Madeiras Pereira:
3D Annotation in Contemporary Dance: Enhancing the Creation-Tool Video Annotator. MOCO 2016: 41:1-41:4
Lida Theodorou, Patrick G. T. Healey, Fabrizio Smeraldi:
Exploring Audience Behaviour During Contemporary Dance Performances. MOCO 2016: 7:1-7:7
2015
Julie Akerly:
Embodied flow in experiential media systems: a study of the dancer's lived experience in a responsive audio system. MOCO 2015: 9-16
Alexander Berman, Valencia James:
Kinetic dialogues: enhancing creativity in dance. MOCO 2015: 80-83
Megan Pitcher:
Adaptive/responsive movement approach: dance making as interactive system design. MOCO 2015: 76-79
2014
Alexander Berman, Valencia James:
Towards a Live Dance Improvisation between an Avatar and a Human Dancer. MOCO 2014: 162
Harry Brenton, Andrea Kleinsmith, Marco Gillies:
Embodied Design of Dance Visualisations. MOCO 2014: 124
Sam Ferguson, Emery Schubert, Catherine J. Stevens:
Dynamic dance warping: Using dynamic time warping to compare dance movement performed under different conditions. MOCO 2014: 94
John McCormick, Kim Vincs, Saeid Nahavandi, Douglas C. Creighton, Steph Hutchison:
Teaching a Digital Performing Agent: Artificial Neural Network and Hidden Markov Model for recognising and performing dance movement. MOCO 2014: 70
Katerina El Raheb, Yannis E. Ioannidis:
From Dance Notation to Conceptual Models: A Multilayer Approach. MOCO 2014: 25
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